2009

Music-wise I'm glad 2009 is over. For a couple of creeky months at the end of the year I fell out of love with music for a bit. Hitting one of those spells where nothing I played made any sense and walking round listening to podcasts for most of the time. I was in a rut, caused at least partly by a bunch of sub-standard albums that I'd hoped for better from. Music for a while felt stale and lifeless.

I was dragged out of this rut by the exceptional new Tindersticks album (more on that very soon) and listening to the Velvet Underground. Music is starting to make some sense again.

I don't think that 2009 was a vintage year but there were some records that did more than tread water or cover old ground. These were the records that I kept returning to and the ones that I'll treasure from a pretty bad year for new music...

God Help The Girl 'God Help The Girl'

A superbly crafted pop record. It told a story but more importantly than that, it was great to listen to, revealing a little more each time you played it and introduced the wonderful vocal talents of Catherine Ireton. The closing track spoke to me a lot too and became a real comfort. A truly accessible, imaginative and quite splendidly fun record.

Camera Obscura 'My Maudlin Career'

There are similarites between my first and second choices and that is no coincidence. In a year when so much was dull and worthy, these records had a spark. Tracey-Anne Campbell and Camera Obscura produced their most finely crafted album yet, catchy melodies and tunes with heartfelt, personal lyrics that tugged at the heartstrings. Effortlessly good.

Mark Eitzel 'Klamath'/ 'Live From Copenhagen'

Eitzel's studio album was difficult and took a while to click with me. The mix of acoustics and electronics sometimes hiding great songs but they crystalised eventually and like every Eitzel record this had some stunning songwriting and also some pretty melodies. 'Live From Copenhagen' was not a real album (see my full review) but it was the most powerful live recording I have heard in years, the sound of an amazing songwriter singing his songs.

The Duke and The King 'Nothing Gold Can Stay'

I kept returning to this. Its such a listenable mix of folk and soul, lovely melodies, great songwriting but sounding so modern and unique. I really regret not seeing them play live yet.

Bill Callahan 'Sometimes I Wish We Were An Eagle'

A major return to form as Bill "gets dark again". Just great songs and moods.

The Mountain Goats 'Life Of The World To Come'

Great idea (each song was named after a bible verse), superbly executed. Some of these songs provoke an awful lot of thinking, deeply personal and beautiful songs from John Darnielle. The piano and vocals pieces were particularly heartbreaking.

Mentions should also be made of records by Hope Sandoval, M Ward, Morrissey (massively under-rated that one), The Twilight Sad and The Duckworth Lewis Method, all of which were really good.

As it stands, 2010 looks like being a quite incredible year. The Tindersticks album is incredible and there are albums to come from The Innocence Mission, Arcade Fire, Low, Radiohead and others. I am personally really looking forward to seeing Tindersticks play abroad for the first time and seeing Pavement play in May.

Lets hope 2010 lives up to expectations...